The term chromosome painting was first used by Pinkel and his group in 1988. They used this term to describe the use of complex mixtures of DNA sequences to visualise chromosome after in situ hybridization. Later a decade ago, the current technique of chromosome painting was developed independently by research teams at Lawrence National Laboratories and at Yale University. Both these groups used the cloned DNA libraries derived from flow-sorted human chromosomes.
Staining techniques like G-banding can detect large changes in chromosomes like large deletions, insertions or translocations. But they cannot detect small aberrations. Small aberrations are critical and are the cause of cancer development and progression. Sensitive mapping of chromosome aberrations across genome can be helpful in dealing small aberrations.
With the help of FISH (Florescent In Situ Hybridization) technique, individual genes or sets of repeated sequences in an intact chromosome can be detected. Later it was realized that FISH can also be used on whole genome at once. This variation of FISH technique was named as Chromosome painting. Here fluorescent dye bound DNA probe binds all along a specific chromosome.
The major drawback of FISH and chromosome painting was that, they cannot be used to study all chromosomes at the same time because there are no enough florescent dyes with sufficient color differences to mark all the 23 chromosomes of humans in a unique color. This issue was solved in 1996 by labeling painting probes for each chromosome with a different assortment of fluorescent dye called fluorochrome. The synchronized hybridization of multiple chromosome painting probes, each tagged with a specific light-emitting fluorochrome is called spectral karyotyping. When florescent probes hybridise to a chromosome, each kind of chromosome is labelled with a different variety of florescent dye combinations.
Using these competitive hybridisation techniques, whole chromosomes can be visualised in metaphase spreads and interphase nuclei. Homologies between the chromosomes of different species can be detected by chromosome painting.
Chromosome painting method is actually a modification of Fluorescence In-Situ Hybridization (FISH) and is also called Zoo-FISH. Human chromosome-6 consists of hundreds of genes in major histocompatibility complex (MHC). With the help of chromosome painting researchers proved that large segments of human chromosome-6 have their homologous genes in,
With this technique, we can also visualise chromosome aberrations if any by using fluorescently labeled DNA probes. These labeled probes hybridize to chromosomal DNA. Even multiple fluorochromes can be attached to the probes. Upon hybridization, this produces a multicolor painted effect with a unique color at each site of hybridization. We can also detect cross-species homology by labeling probes from one species for hybridization with chromosomes from another species.
Probes used in chromosome painting
Day by day with the progress in technology, chromosome painting probes are also available for huge number of species. Chromosome painting probes for mouse and rat are most common and are very helpful as animal models to analyse human diseases.
Chromosome painting helps in visualization of individual chromosomes in metaphase or interphase stages. With the help of this technique we can identify both numerical and structural chromosomal aberrations with high sensitivity and specificity. As already mentioned, the synchronized hybridization of multiple chromosome painting probes, each tagged with a specific light-emitting fluorochrome is called colour or spectral karyotyping. It helps in differential colour display of human and mouse chromosomes.
Chromosome painting is also called M-FISH or multicolour FISH because modified fluorescent in situ hybridization (FISH) has been used to detect the location of specific genomic targets using probes that are labelled with specific fluorochromes. This technique allows detection of simple and complex chromosomal rearrangements.
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